In her latest forays into the American scene, Joan Didion covers ground from Washington to Los Angeles, from a TV producer's gargantuan ``manor`` to the racial battlefields of New York's criminal courts.
At each stop she uncovers the mythic narratives that elude other observers: Didion tells us about the fantasies the media construct around crime victims and presidential candidates; she gives us new interpretations of the stories of Nancy Reagan and Patty Hearst; she charts America's rollercoaster ride through evanescent booms and hard times that won't go away.
A bracing amalgam of skepticism and sympathy, After Henry is further proof of Joan Didion's infallible radar for the true spirit of our age.
Observers | Didion tells us about the fantasies the media construct around crime victims and presidential candidates |
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