The United States possesses extraordinary holdings of seventeenth-century Flemish paintings.
In this pioneering and richly illustrated volume, twelve scholars and museum curators reveal the origins of these collections by examining the American approach to and interest in the collecting of Flemish art over the course of the nineteenth and twentieth centuries.
Chronicling in lively detail the roles played by individuals in forming private and public collections, the essays in this volume.
Penn State University Press America and the art of flanders: collecting paintings by rubens, van dyck, and their circles, hardcover/esmée quodbach
