Debora Vogel (1900-1942) wrote in Yiddish unlike anyone else.
Yiddish, her fourth language after Polish, Hebrew, and German, became the central vehicle for her modernist experiments in poetry and prose.
This ground-breaking collection presents the work of a strikingly original yet overlooked author, art critic, and intellectual, and resituates Vogel as an important figure in the constellation of European modernity.
Vogel's astute observations on art, literature, and psychology in her essays, .