Harold Jaffe is well-known for his docufiction, which is at once personal and detached, serious and satirical, familiar and esoteric.
He has been recognized for pinpointing and even aestheticizing the media pathology that informs and increasingly determines our daily lives.
In BRUT , Jaffe addresses an extraordinary range of films, writers, painters, philosophers, and outsider artists, each with the brevity, clarity, and dramatic understatement that typify his prose.
