Createspace Independent Publishing Platform Drawing and painting: perceptual theory as a basis for learning how to draw, paperback/martin gienandt mugar

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Perceptual theory as a basis for learning how to draw.

The author describes his own development as an artist at Yale College and advanced studies at the Beaux-Arts in Paris and at Yale University where he acquired his MFA.

He studied with William Bailey, Lester Johnson, Al Held, Erwin Hauer and Bernard Chaet the author of The Art of Drawing.

cThis book is deeply informed by readings in cognitive theory and personally discovered connections between drawing, painting and science.

Moreover, it is shaped by 30 years of teaching at Dartmouth College, The University of New Hampshire, The University of North Carolina at Greensboro and the Art Institute of Boston, now part of Lesley University.

The book uses images of student work, the work of the artist and that of his teachers in particular Al Held and Erwin Hauer.

It is one of the few books available to the student and teacher that makes the work of the 20thc abstract painters teachable and not esoteric.

Mugar sees a clear correlation in the evolution of artistic styles and the understanding of how the eye sees the world.

The book is a practical textbook with explicit exercises but also a philosophical text on what art is at this point in History.