There has been a lack of reliable academic studies regarding Filipino martial arts (FMA) that have uniquely developed in the Philippine archipelago.
This anthology assembles pioneering scholarly materials valuable for any interested in the Filipino combatives, as well as chapters specifically on the practice.
Mark Wiley stands out as a leading scholar/practitioner of the Filipino arts.
This book contains three chapters by him.
In the first, he conducted linguistic and historical research to present the developmental background of the ancient Filipino kali and European fencing systems, thus illuminating the evolution of classical eskrima.
In chapter two, Wiley attempts to classify Filipino martial arts and explore the ethos of Filipino martial culture by deriving information directly from the contemporary grandmasters who have maintained an oral transmission of information concerning the evolution and development of their respective martial systems.
Part of Wiley's research also led him to seek out special repositories of artifacts.
Museums collections rarely include much on Southeast Asian weapons.
University of Pennsylvania Museum of Archaeology and Anthropology has nearly 1, 000 martial artifacts in storerooms from the Philippines, including swords, knives, spears, shields, helmets, and armor discussed in Wiley's third chapter.
On a practical side, Steven Dowd presents the art of Carlita La ada who studied martial arts as passed down within his own family in the Philippines.
He calls his rendition Kuntaw Lima-Lima, an art whose techniques are reminiscent of Okinawan karate styles, with hints of Chinese gongfu.
Presented are the underlying principles, and a sayawan (form) with applications.
Majia Soderholm's chapter is about Visayan Corto Kadena Eskrima and some of its concepts and training methods with regard to free-sparring with swords.
It is a Filipino martial system encompassing empty-hand and non-bladed and bladed weapons.
Peter Hobart presents a wonderful tri.