Description Spanning a hundred years (1910 - 2010) and three geographical locations - Europe, Japan and North America - this unique book examines the capacity of performance to recode reality.
It argues for a seamless continuity between philosophy, critical theory and artistic practice.
Each chapter ends with scores, providing readers with the opportunity to explore the discussed ideas in an embodied, and, where applicable, interactional way.
The book's analysis of such landm.