In the two centuries since Mozart's La clemenza di Tito was first performed, and the almost three centuries since Metastasio created the libretto, many rumours, myths and prejudiced opinions have gathered around the work, creating a narrative that Mozart, Mazzol and their contemporaries would scarcely recognise.
The essays in this book contribute ideas, facts and images that will draw the twenty-first century reader closer to the events of Central Europe in the late eighteenth.