This book explores the exchange of music, musicians and musical practice between Britain and the Continent in the period c.
1500-1800.
Inspired by Peter Holman's research and performing activities, the essays in the volume develop the theme of exchange and dialogue through the lenses of people, practices and repertory and consider the myriad ways in which musical culture participated in the dynamic relationship between Europe and Britain.
Key areas addressed are music and travel; music publishing.