The fifteen essays of Performing History glimpse the diverse ways music historians do history, and the diverse ways in which music histories matter.
This book's chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; particular musical works that tell, enact, or perform war histories; operatic works that works that tell, enact, or perform power or enlightenment; musical works that deploy the body and a broad range .
Areas | Historically informed performance |
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