In this collection of essays, legendary theatre director Peter Brook reflects on the role of music in theatre and performance and revisits some of the best-known productions from his long and distinguished career, including Titus Andronicus, Don Giovanni, The Magic Flute , and The Prisoner .
In his prologue, Brook writes, As Orpheus discovered, every animal can respond to sounds.
For us, the living question is 'Which sounds? What music?' In this book we will.