This book, a sensuous evocation of images of the reclining nude, claims a female-identified pleasure in looking.
Agnes Varda, Catherine Breillat, and Nan Goldin are re-imagining images of female beauty, display, (auto)eroticism, and intimacy.
The reclining nude is compelling, for female-identified artists in the ethically adventurous, politically complex feminist issues it engages.
Liverpool University Press Reclining nude. agnes varda, catherine breillat, and nan goldin, paperback/emma wilson
