The all-embracing, whaddya got? nature of rebellion in Fifties America included pop music's unlikely challenge to entrenched notions of masculinity.
Within that upheaval, four prominent artists dared to behave in ways that let the public assume--but not see--their queerness.
That these artists cultivated ambiguous sexual personas often reflected an understandable fear, but also a struggle to fulfill personal and professional expectations.
Vincent L.
Stephens confronts notions of the closet--.
University Of Illinois Press Rocking the closet: how little richard, johnnie ray, liberace, and johnny mathis queered pop music, paperback/vincent l. stephens
