Description Light Break presents the first survey since 1996 of photographer Roy De Carava, an essential figure of American art and culture, whose poetry of vision re-forms urban life, labor, love, and jazz into the discovery of an intimate, emotional arc of transformation.
Though De Carava often refrained from public discussion of his work, this catalogue provides important background into determining factors of his aesthetic sensibility--his traditional training in painting and printmaking as well as his philosophical undertakings.
It brings the viewer to a consideration of contradictory precepts in De Carava's work that seeks resolution through tonal and structural elements within the image.
Light Break presents a wide-ranging selection of De Carava's photographs accompanied by a preface by Zo Whitley, an American curator based in London, and features an introduction and essay by curator and art historian Sherry Turner De Carava.
Titled Celebration, Turner De Carava's essay considers the artist's singular poetic vision, his timeless portrayals of individuals and places, and his mastery of composition and photographic printmaking.
In making photographs, as in life, De Carava was patient.
Possessing both a peerless self-awareness and acute observational skills, he knew intuitively when to wait and when to open the camera's shutter.
In the dark room, he availed himself of these same attributes, moving with steady assurance to develop his prints so as to allow the full range of what he called his infinite scale of grey tones--often realized at the deepest end of the spectrum--to emerge slowly and fully.
This exquisite volume showcases a dynamic range of images that underscore De Carava's subtle mastery of tonal and spatial elements across a wide, fascinating array of subject matter: from the figural implications of smoke and debris to the shimmering mirror beneath a mother as she walks with her children in the morning light.
These photographs express a strength of.
| Matter | From the figural implications of smoke and debris to the shimmering mirror beneath a mother as she walks with her children in the morning light |
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