If postmodernism is indeed 'the cultural logic of late capitalism', why did typical postmodernist themes like ornament, colour, history and identity find their application in the architecture of the socialist Second World? How do we explain the retreat into paper architecture and theoretical discussion in societies still nominally devoted to socialist modernization? Exploring the intersection of two areas of growing scholarly interest - postmodernism and the architecture of the former soc.
Bloomsbury Visual Arts Second world postmodernisms: architecture and society under late socialism, paperback/vladimir kulic
