Still re-imagines the Renaissance concept of the studiolo , a room displaying cabinets of wonder, each juxtaposing human-made art objects, such as miniature still-life paintings, with natural ones--harbingers of the coming wonders and catastrophes of travel brought back from distant lands Europeans claimed as discoveries.
These poems shimmer with the wonders of the natural and aesthetic worlds--and in doing so, reckon with environmental, colonial, and sexual violence, .