In The God of San Francisco , James J.
Siegel examines queer grief during the onset of the AIDS crisis through a lavender-and-leather pantheon: St.
Christopher, Allah, and the God of San Francisco transubstantiate a sarcoma's cicatrix into sequins, a viral dowry into a benevolent plume of dazzling feathers.
From Laramie, Wyoming, to Toledo, Ohio, Siegel performs a magisterial frilling of historical attention, always emerging as an extraordinary confl.
Pantheon | St |
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