In Fossett's third collection of free-verse poetry, she conjures, writes, yells, laughs, screams, and even sometimes cries WHATEVER to anyone who says everyone ( and/or everything ) has to fall into a category.
She confronts stigmas associated with queerness and love between women, by chronicling her own life experiences as an educated, creative, queer and masculine-presenting, young woman of color.
She reminisces on loves built and loves abandoned (familial, self, relati.
