For centuries before the 1789 revolution, ballet was a source of great cultural pride for France, but by the twentieth century the art form had deteriorated along with France's international standing.
It was not until Serge Diaghilev's Ballets Russes found success in Paris during the first decade of the new century that France embraced the opportunity to restore ballet to its former glory and transform it into a hallmark of the nation.
In When Ballet Became French, Ilyana Karthas explores the.
Mcgill-queen's University Press When ballet became french: modern ballet and the cultural politics of france, 1909-1939, hardcover/ilyana karthas
